“Beyond Nostalgia The Business of Restored Classics” – Insightful Discussions at WAVES 2025 Classic films are more than entertainment—they are a reflection of our collective cultural identity and heritage Prakash MagdumRestoration demands significant investment of money, time, and skilled resources Shehzad SippyDespite the deluge of new content, the industry must work to preserve its foundational works Kamal Gianchandani

Published on 03-May-2025 08:00 PM

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Revolutionizing Restored Classics: How WAVES 2025 Is Reimagining Film Heritage

In a rapidly evolving world where media production is constantly advancing, the legacy of classic films remains a significant concern. This event, known as WAVES 2025, serves as a pivotal platform to explore the business behind restoring these iconic works and their impact on modern cinema.

Beyond Nostalgia: The Business of Restored Classics

The title of this event underscores its role in bridging the gap between past and present. Classic films are not just memories but cultural treasures that deserve preservation. WAVES 2025 is a platform to reevaluate how media can balance restoring heritage with embracing innovation.

Kamal Gianchandani - Urgent Need to Make Classics Accessible

Kamal Gianchandani, a key voice in film exhibitions and distribution, highlighted the urgent need to make classic films accessible. “So many of our films disappear from public memory because they aren’t readily available,” he said. This issue resonates with audiences seeking something unique. restoring classic works is more than preserving their form; it’s about making them part of the cultural fabric.

Shezad Sippy - The Evolution of Filmmaking and Unique Storytelling

Shezad Sippy, representing the legacy of iconic cinema, emphasized the transformation of filmmaking in the 21st century. “Filmmaking was a different art then, and audiences today are curious to experience that era,” he said. This perspective challenges traditional storytelling practices, pushing the boundaries of what we consider cultural heritage.

Jackky Bhagnani - Unpredictable Audience Preferences

Jackky Bhagnani discussed how audience preferences vary from year to year. “Unpredictable audience preferences and quality content can make or break a project,” he noted. This variability highlights the importance of balancing accessibility with uniqueness, ensuring that classic films remain accessible without losing their charm.

Prakash Magdum - Government’s Efforts and National Film Heritage Mission

Prakash Magdum introduced the role of governments in managing cultural heritage. “The National Film Heritage Mission aims to re-revisit classical films,” he said. This initiative aligns with WAVES 2025’s vision, showing how industry collaboration can support this effort.

Conclusion: The Future of Classic Film Heritage

Revisting classic films isn’t just a pastime; it’s about balancing tradition with innovation. WAVES 2025 is a platform to explore these ideas and inspire a new generation of filmmakers to reevaluate their approach to cultural heritage. By doing so, we can ensure that classic films remain part of the media landscape for years to come.

source: “Beyond Nostalgia The Business of Restored Classics” – Insig...

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